Screenplay: The Foundations of Screenwriting *(ebook)
Hollywood's script guru teaches you how to write a screenplay in "the 'bible' of screenwriting" (The New York Times)—now celebrating forty years of screenwriting success! Syd Field's books on the essential structure of emotionally satisfying screenplays have ignited lucrative careers in film and television since 1979. In this revised edition of his premiere guide, the underpinnings of successful onscreen narratives are revealed in clear and encouraging language that will remain wise and practical as long as audiences watch stories unfold visually—from hand-held devices to IMAX to virtual reality . . . and whatever comes next. As the first person to articulate common structural elements unique to successful movies, celebrated producer, lecturer, teacher and bestselling author Syd Field has gifted us a classic text. From concept to character, from opening scene to finished script, here are fundamental guidelines to help all screenwriters—novices and Oscar-winners—hone their craft and sell their work. In Screenplay, Syd Field can help you discover: Why the first ten pages of every script are crucial to keeping professional readers' interest How to visually "grab" these influential readers from page one, word one Why structure and character are the basic components of all narrative screenplays How to adapt a novel, a play, or an article into a saleable script Tips on protecting your work—three ways to establish legal ownership of screenplays Vital insights on writing authentic dialogue, crafting memorable characters, building strong yet flexible storylines (form, not formula), overcoming writer's block, and much more Syd Field is revered as the original master of screenplay story structure, and this guide continues to be the industry's gold standard for learning the foundations of screenwriting. Read more
Download Now
Why Must Read Screenplay: The Foundations of Screenwriting?
I don't think this book is nearly as good as it's cracked up to be. It's just way too verbose and doesn't actually deliver information and ideas in a way that's useful. I only got half way through because it was so tedious. The chapters lack focus, for one thing. Discussions about character, plot points, theme, context, etc. are presented in a really jumbled up way. And when you get down to the specifics, there isn't very much meat. He says, for example, that plot points move the story forward, without specifying (at least in the parts I read) what "moving the story forward" actually means. As for the examples, they are just way TMI. It isn't necessary to tell and retell the plots of movies over and over again to get a point across. He could have referred to examples in a much more concise way, leaving it to readers to view the films that interest them. K.M. Weiland's books are much better in this regard. She summarizes relevant parts of a movie (or novel) in a real concise way, quickly getting to what matters. As a result, the how, what, and why of a good screenplay really pops. Reading Screenplay (even though I just read half) was a claustrophic experience for me because it's just so dense and verbose.
Read Now